Grant Okita develops creative solutions for film, television and graphics.
Specializing in Art Direction, Concept Development, Design & Animation for Film Titles, Television Show Opens, Commercials, Network Packages, Promotions and Logo Marks.
Los Angeles, CA, USA
Email: grantokita@yahoo.com
Specializing in Art Direction, Concept Development, Design & Animation for Film Titles, Television Show Opens, Commercials, Network Packages, Promotions and Logo Marks.
Los Angeles, CA, USA
Email: grantokita@yahoo.com
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Growing up in Hawaii, the Five-O franchise was always present in one form or another. We'd watch reruns after school, hear the theme song at every UH football game. So when the latest incarnation presented itself, I jumped at the opportunity to be a part of it.
Given the law enforcement nature of the show, I wanted to bring a look that promised the high tech, fast paced action of the reboot while maintaining iconic shots and tones of the original.
I felt it was important to represent Hawaii as much as possible. I mixed in Kapa (traditional Hawaiian fabric) design motifs as well as local names and places to legitimize and ground the Five-O database. We treated the scenic photos of Hawaii to bring out the vibrant colors of paradise.
The cast ID's were built as a high tech, police case wall and maintain the frenetic energy of the show.
The final product, an energetic show open packed full of paradise, surfing and action - just like the show.Graphic Design, Motion Graphics, UI/UX2012 -
Hansel & Gretel: Witch Hunters
Main Title: Art Direction, Concept Development & Design
Where the Brothers Grimm end their tale of Hansel & Gretel, Writer/Director Tommy Wirkola and Producer Kevin Messick begin with their own. This is not the tale you heard as a child, unless you were told of crossbow and gun wielding vigilante orphans kicking ass… and lots of fire.
Using hand drawn illustrations, live-action fire elements, and computer generated effects, we created a main title sequence that tells the story of the young Hansel & Gretel and their journey to become Witch Hunters.
I had the opportunity to art direct, concept and design the main title sequence while at Picture Mill.
Credits
Creative Director: William Lebeda
Producer: David Midgen
Art Director: Grant Okita
Designer: Grant Okita
3D Modeler & Animator: Jon Block, John Bellas, Justin Betham
Compositor & Animator: Nelson Yu, Jon WolfeArt Direction, Film, Motion Graphics2013 -
Hansel & Gretel: Witch Hunters
End Credit: Art Direction, Concept Development & Design
After the adrenaline filled, shoot 'em up sequence to end the film, you simply can't just go into a credit roll without a little excitement. With that in mind, the end credits appear over a gluttony of guns, witch's wands, exploding candy, and yes, more fire!
Credits
Creative Director: William Lebeda
Producer: David Midgen
Art Director: Grant Okita
Designer: Grant Okita
3D Modeler & Animator: Jon Block, John Bellas, Justin Betham
Compositor & Animator: Nelson Yu, Jon Wolfe
Art Direction, Digital Art, Motion Graphics2013 -
Nothing says Harold & Kumar better than marijuana. So of course there would be a marijuana wreath for the main title of their Christmas movie.
In addition to the main title sequence, the logo I designed was also used for the movie posters, key art and collateral marketing.Advertising, Film, Typography2011 -
To bridge the story going into Fast Five from the previous installment, we developed a prologue that served to explain the current state of affairs to the viewer while evoking a heuristic sensibility to the graphics.
The news feeds were designed to build and overlap each other as if a government computer were aggregating the data across all media platforms. By design, as we pulled back through the sea of data, it would reveal the data forming the main title logo.Film, Graphic Design, Motion Graphics2011 -
Drawing upon the iconic franchise's rich history and well known storyline, it was befitting to design a concept that would bridge the gap between the fall of humanity and the rise of the apes.
Leaving the airport, we illustrate the virus spreading from flight to flight, city to city via the flight patterns until finally encompassing the entire planet.
Ending one chapter to begin the next.Computer Animation, Film, Motion Graphics2011 -
Following the thin red line, the peaks and valleys, the final heartbeats on an EKG finally flat lining.
Life and death.
And where one journey has ended, another begins as we follow that same red line through a stylized world of a line drawn Los Angeles. As we meander and backtrack through iconic LA landmarks and traffic, we finally arrive at the house where the funeral and chaos and hilarity are about to begin.
Art Direction, Film, Illustration2012 -
As one rules the day, the other the night.
Man against vampire - two forces polarized in a war for survival.
The film's stunning imagery inferred the visual contrasts. Simultaneously, the battle between good and evil, defined the contextual contrasts.
The focus was to create a sequence that further built upon the contrasts through visuals - the battle between light and dark.
Key moments from the film, are revisited in a journey through a stylized, high contrast world that tips between light and dark, seamlessly continuing the narrative.
The polarized forces of man and vampire still at odds till the very end.Computer Animation, Film, Storyboarding2012 -
The words of Jules Verne painted magnificent pictures of far away lands and mystical creatures. The Mysterious Island was no exception as it was full of curiosities, the stuff of childhood dreams.
The main title needed to deliver the same level of imagination and possibility.
Captain Nemo's Nautilus cockpit presented a bountiful backdrop of gadgets and ornamentation.
The machine, a sort of compass, gyroscope and magical gadget was designed as a way to showcase the titles as well as the vast artwork and mysteries of the movie.
It holds frames of the grandfather's drawings that come to life and abound in the same way that our imaginations have from Verne's words.Film, Graphic Design, Motion Graphics2011 -
Comic book characters have always enamored our imaginations. We've all wished we had special powers and abilities. We wished for justice and a hero who could make things right in the world.
The Cape brought all of that while telling the story of a young boy whose father secretly worked to protect him from the evil in their city.
The initial style frames were designed around a world nested in both reality and the imagination. A dimensional, hyper real approach to the comic book that comes to life.
The final animation evolved into a more traditional comic book style, though remaining anchored in the initial concept, seamlessly coupling live action and illustration.Graphic Design, Motion Graphics, Storyboarding2012 -
Nicky Lee 李玖哲 - Turn Back 後退
Director: Grant Okita & Anthony Honn
Design & Animation: Grant OkitaFilm, Motion Graphics, Music2013 -
I had the opportunity to work with the very talented Picture Mill Creative Director, William Lebeda and Technical Director Bryan Thombs on the Prologue, Main Title and End Title of The Last Airbender. I learned a lot through this project as it was my first experience with 3D Stereo compositing and animation.Animation, Film, Graphic Design2012
